Sunday, May 29, 2011

Of Sound Mind

Spending a lot of time on the N3rd end of things this weekend to revise sound stuff. Tedious, but ultimately, rewarding!

While the computer renders, here are some of my favorite uses of sound design in movies:

Let the Right One In - This Swedish vampire thriller puts a lot of its stock in off-screen terror, keeping many of its set-ups wide and ambiguous, with intricate, well-paced, and terrifying sound.

Star Wars - This is a no-brainer, as the world is introduced to sound maestro Ben Burtt, and we find an all-new universe of sounds no one had ever heard before. Say what you will about this whole series, but the wide array of new and rich sounds living in Lucas' Star Wars universe is mind-blowing.

Raging Bull - Martin Scorsese and editor Thelma Schoonmaker are renowned for their unorthodox and dynamic pursuit of matching sound and image. The boxing scenes in Raging Bull are full of hard impact, gut-wrenching noises that are not common to a box ring, but are essential for cinema.

Jurassic Park - Another classic. While they may or not be biologically accurate, the sounds of the dinosaurs in Spielberg's 1993 adventure just feel right, don't they?

Invasion of the Body Snatchers '78 - There is a very specific sounds that the "body snatched" use to single out the unsnatched, and it's really hard to convey without spoiling the joy of experiencing them for the first time.

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